“JOGJA IS NOT FOR SALE” REORGANIZING TOURIST DESTINATION THROUGH THE ART MOVEMENT
Abstract
Jogja has been a home for both traditional and contemporary art and culture. More or less it is also shape the way how its people thinking. Responding to the government domination power, in the massive development of hotel, the people, especially the local artists, take part as a resistant power to express their ideology in order to raise the awareness to the environment issues that have been resulted. The local artists proof that with using an art movement as the new way to protests can also bring a positive result to the broader context such as the governmental policy.References
Anderson, J. (2010). Understanding Cultural Geography. London: Routledge.
Inggam, S. (2003). Art and Political Activism in Indonesia. Asian Art News.
Lee, D. (2015). A Troubled Vernacular: Legibility and Presence in Indonesian Activist Art. The Journal of Asian Studies, 303-322.
Urry, J. .. (2011). The Tourist Gaze 3.0. London: Sage
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